Titch Hall
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Behind the Jukebox: When the Hero Prop Needs a Brain
If you’re going to write a musical where a jukebox isn’t just set dressing, but essentially the principal villain and narrative engine of the entire show, you can’t just throw some tinsel on a cabinet and call it theatrical magic. Naturally, I decided the only sensible thing to do was build the beast myself. It’s… Read more
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A Major Milestone for Stardust!
☕✨ By Richard Hall A dispatch from the creative frontlines (where caffeine meets musical magic) If you’ve ever tried to squeeze six months of musical theatre development, character arcs, and song arrangements into a single 60-minute meeting… you’ll know it’s a bit like trying to cram a full brass band into a retro phone booth.… Read more
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Engineering a Musical
Engineering a Musical – Why I’m Putting the Whole Show on One TimelineEvery single track for Stardust has been rebuilt and pulled into a single, master Cubase project file. Whew. That is 1 hour and 7 minutes of continuous music locked down. No underscores, no sound effects, just the raw, structural backbone of the show… Read more
