This week, I should hit 50% through scoring the orchestration—right around 350 pages down out of an estimated 700.
Once that milestone is locked, I’m doubling back to do a full sweep of the script, tightening the dialogue and character beats. After that, it’s back to the score to integrate everything seamlessly.
This build-and-refine cycle runs until January. That leaves a clear 12-week runway to polish the final deliverables, tidy up the master files, and finalize the audition pieces. Plenty of hard graft left on the bench, but the structure is holding firm.
